Download PDF The Braindead Megaphone By George Saunders
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Ebook About From the #1 New York Times bestselling author of the Man Booker Prize-winning novel Lincoln in the Bardo and the story collection Tenth of December, a 2013 National Book Award Finalist for Fiction. The breakout book from "the funniest writer in America"--not to mention an official "Genius"--his first nonfiction collection ever. George Saunders's first foray into nonfiction is comprised of essays on literature, travel, and politics. At the core of this unique collection are Saunders's travel essays based on his trips to seek out the mysteries of the "Buddha Boy" of Nepal; to attempt to indulge in the extravagant pleasures of Dubai; and to join the exploits of the minutemen at the Mexican border. Saunders expertly navigates the works of Mark Twain, Kurt Vonnegut, and Esther Forbes, and leads the reader across the rocky political landscape of modern America. Emblazoned with his trademark wit and singular vision, Saunders's endeavor into the art of the essay is testament to his exceptional range and ability as a writer and thinker.Book The Braindead Megaphone Review :
Beautiful. Enthralling. Read in one day (which is saying something for a slow-reading dullard like myself). Interesting, well-ordered mix of politically left-leaning essays, travelogues, and a masterclass on writing short stories. Saunders has an interesting voice and perspective on travels, focusing on the people, place, and society rather than the traveler himself. The tone is often self-depreciating yet always earnestly thoughtful and thought provoking. Just thoroughly enjoyable writing with engaging subject matters. George Saunders is both an incredibly creative mind and a writer with complete control of the language. Read everything he’s written; it’s well worth the time.A In the title essay, the Megaphone Guy struts in, sets up his amplified bray, and his listeners find themselves unable to carry on their conversations, forced as they are to adopt his expressions, giving way to his domination, without realizing his sway. More relevant than ever ten years on, in an age of click bait and Buzzfeed and Facebook “likes” pestering us alongside pop-ups and pundits.Covering excess in Dubai, Saunders reflects amidst the predictable if dazzling glittery glitz how universal the Other remains, appealing by common human dignity and compassion to connect people no matter who or where. Under the snark, his essays at their best sustain the impact of his stories, where empathy mingles somehow with satire, and pop psychology send-ups deepen the poignant attempts of put-upon everyday people, corrupted by systems and co-opted by corporations, to maintain dignity against all capitalist odds. The profit motive reigns in Dubai; Saunders accepts in reporting for GQ his complicity, but he wonders what else he, gawking at Third World workers happy to toil in the desert, should or can do.As for the media he represents, on the border near Laredo, he gently mocks his Minutemen companions, as an East Coast journalist. Accused of not being a properly neutral reporter, Saunders fires back: “We’re being neutral.” “By not making fun of you.” (152) While insistent on his liberal bona fides, Saunders here allows himself to hear out the often caricatured other side of the issue, and the border. He never gives in, but following his coverage, he begins to become more patient, and we share the tolerance for insights transcending sound bites or partisan treatment of hot-button issuesBeneath a smart-ass tone, Saunders keeps aware of the need for honesty. He wonders if we may be wired by one of two nodes neutrally. Some protect what they have, and crouch and hunker down to guard it. Others pop up, eager to share, open to the new. Perhaps, he reflects, our politics thus emerge.This continues into an excellent introduction to Huck Finn. “Tom likes kings, codified nobility, unquestioned privilege. Huck likes people, fair play, spreading the truck around. Whereas Tom knows, Huck wonders. Whereas Huck hopes, Tom presumes. Whereas Huck cares, Tom denies.” (203) Out of this conflict, Saunders maps the war within the American (and World) Psyche, ever contending. Apropos, he finds in Kurt Vonnegut and Donald Barthelme congenial fellow travelers.What links these writers is a refusal to give into the narrative's comforts, and to allow uneasiness. As Saunders finds investigating a report of a boy meditating for seven years: “A human being is someone who, having lived awhile, becomes terrified and, having become terrified, deeply craves an end to the fear.” Visiting a Nepalese Buddhist shrine, wary of miracles, he still muses: “all of this began when one man walked into the woods, sat down, and tried to end his fear by doing something purely internal: working on his mind.” (216). Saunders diagnoses this as a possible remedy for our “ambient fear” of knowing that when we love, we realize “there must someday come a parting.”While a few essays fall flat, feeling like sketches for stories better dramatized than satirized, and while his strength remains in fictionalizations of the predicaments he doodles in the lesser entries, overall this 2007 collection plays to the quirky elements that make his inventive tales so successful. Read Online The Braindead Megaphone Download The Braindead Megaphone The Braindead Megaphone PDF The Braindead Megaphone Mobi Free Reading The Braindead Megaphone Download Free Pdf The Braindead Megaphone PDF Online The Braindead Megaphone Mobi Online The Braindead Megaphone Reading Online The Braindead Megaphone Read Online George Saunders Download George Saunders George Saunders PDF George Saunders Mobi Free Reading George Saunders Download Free Pdf George Saunders PDF Online George Saunders Mobi Online George Saunders Reading Online George SaundersDownload Mobi Hope Springs: A Compass Cowboy MMF Ménage Romance By Jayne Rylon,Mari Carr
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